Double-exposure montage artwork: a man's face merged with a prison wall breaking into birds, his companions beside him, and a glowing doorway standing in a sunlit meadow with a cow at its side.

A Cinematic Experience
Inspired by a True Story

Beyond TheWalls

When he lost his freedom, he found his purpose.

Coming 2027

When he lost his freedom, he found his purpose.

Coming 2027

Haunted by the violence of his past and sent to solitary confinement in prison, Dom is forced to confront the demons that have defined his life. With the help of a mysterious cell mate, he finds his inner strength and vows to end violence towards all.

Ethereal and immersive, Beyond The Walls recounts, through its protagonist Dom, that active atonement is a powerful process that effects lasting transformation — ultimately punctuating the notion that changing one thing can change everything.

“If it causes harm,
then nah.”

Dom’s vow — written in the hole

02Characters

Within the Walls & Beyond

First-look stills from the film — the remaining portraits follow as scenes are cut.

  • Tyler Lepley as Dom Thompson, in a worn work tee against the dark

    The Prisoner

    Dom Thompson

    Tyler Lepley

    A young man turned dealer, serving five years for a first offense. Forty days in solitary force him to face the one enemy he can’t outrun, and a vow that changes every life he touches. Inspired by the real Dominick Thompson.

  • Keith David as Herald, grey-haired and weathered, in his prison jumpsuit

    The Guide

    Herald

    Keith David

    A hermit-like cellmate who talks like a therapist and reads Dom like an open book.

  • Tabitha Brown as Maria Thompson, lit warm in a quiet moment at home

    The Mother

    Maria Thompson

    Tabitha Brown

    A nurse who raised three children alone on Chicago’s West Side, working three jobs and asking no favors. Her fierce love reaches through the prison walls.

  • Mariel Hemingway as Ally Fremont, in profile at a courtroom table

    The Lawyer

    Ally Fremont

    Mariel Hemingway

    The defense attorney who won’t take no from a prison. Blunt, tireless and allergic to the word “policy,” she keeps fighting long after the verdict is in.

  • Luis Moncada as Minos, a corrections officer in his grey uniform

    The Keeper

    Minos

    Luis Moncada

    The SHU’s ranking guard and its self-appointed judge. Every tray, every taunt, every hour of Dom’s isolation passes through his hands.

  • Ludi Lin as Sam, bearded, in a cowboy hat and Farm Sanctuary tee in the barn

    The Sanctuary Keeper

    Sam

    Ludi Lin

    Owner of the sanctuary where broken animals come to heal. He’s seen what second chances do — and he isn’t afraid to give one to a man with a record.

  • Ray Wise as the Pastor, grey-haired in his clerical collar in the dim of the church

    The Preacher

    Pastor

    Ray Wise

    The pastor Dom meets in the hush of an empty church — a man whose faith is honest enough to carry its own doubt. He offers no easy salvation, only the harder comfort of the questions.

  • Akeem Mair as Tee, bearded and watchful in the half-light of the cell

    The Friend

    Tee

    Akeem Mair

    Dom’s cellmate in general population — a Detroit dope boy with a quick mouth and a good heart, and the first to notice that the man who came back from the hole isn’t the man who went in.

  • Sarah Jeffery as Ms. Heatherton, the prison counselor, at her office desk

    The Counselor

    Ms. Heatherton

    Sarah Jeffery

    The prison’s counselor — one of the few inside who looks past the case file to the person across the desk.

  • Daria Berenato as Nemein, a corrections officer in uniform against a cell-block wall

    The Officer

    Nemein

    Daria Berenato

    A corrections officer inside the facility, working the same cell blocks where Dom serves his time.

“Behold, I send you forth
as sheep in the midst of wolves.”

Matthew 10:16 — the film’s epigraph

03Behind the Scenes

“Since Dom’s story is told almost entirely from within, from his own interior, where events are inward turned instead of outward turned, I was strongly inspired to focus visually on the interior experience of the self instead of the traditional focus on outward events, society, and social norms. As such, the film is visually more cerebral, hallucinatory, dreamlike. And since there is no antagonist in the film, Dom is only at war with his inner self. In this sense, the interior world is the only world. His thoughts. His feelings. His experience. And ultimately recognizing his sense of being.”

On the dream-forest stage, the director gestures through a moment with the lead actor between takes
Notes between takes on the dream-forest stage
Video village: the director and crew on headsets watching the take on monitors
Video village — watching the take land
Dominick Thompson, whose true story inspired the film, on set
Dominick Thompson, on set

The Real Story

Dominick Thompson

The man whose true story inspired the film

“My hope is that audiences leave this film seeing a little of themselves in my story. Not because they’ve lived my life, but because we’ve all made mistakes, carried regret, searched for purpose, and hoped for another chance. If this story creates more compassion than judgment, then it’s done exactly what I dreamed it would.”

Dominick Thompson

04Technology

How It Was Made

The RED V-RAPTOR XL (X) 8K cinema camera

In Camera

Director of photography David K. Hauver shot the film on RED’s 8K cinema systems — the V-RAPTOR XL (X) leading, its global shutter chosen for clean work against the LED wall — through Cooke Anamorphic/i Full Frame glass, softened with Schneider Radiant Black® diffusion.

“Director Shaun Monson wanted color to play a central role in the storytelling — the RED system was exceptionally well suited to that challenge.”

  • RED V-RAPTOR XL (X) · 8K
  • Cooke Anamorphic/i Full Frame
  • Schneider Radiant Black diffusion
A curved LED volume stage displaying a night prison yard, with crew and a partial cell set in the foreground

The Volume

The visions that visit Dom in the hole live inside a wraparound LED volume — a stage walled with high-resolution panels playing real-time environments, the cell set standing at its centre so the impossible can surround the actors in camera.

“It gave us complete control — we could lock in the quality and direction of light” — down to staging an encounter with wildlife no real forest would ever allow.

  • Wraparound LED volume
  • In-camera VFX
  • Controlled light & haze

“There’s a special kind of excitement in those moments, because you know you’ve photographed something completely genuine.”

David K. Hauver — Director of Photography
Read the full interview
IMDb

On the record

Beyond The Walls on IMDb

The film’s official title page — cast, credits and news as the road to 2027 unfolds.

View on IMDb

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